Arthur Rackham (1867-1939) made comprehensive contributions of suites - in each of the monotone and colour - to above 25 illustrated books throughout his career together with several more in other publications. His illustrations interpreted a diversity of topics, including: myths; legends; fables; and stories. Works enjoying Rackham's contributions included titles by: Barrie; Barham; Carroll; Shakespeare; the Brothers Grimm; de la Motte Fouqu?; Wagner; Aesop; Dickens; Malory; Swinburne; Stephens; Milton; Hawthorne; Irving; Moore; Andersen; Poe; and Ibsen.
Implementing the critical and commercial success that met his illustrative interpretation of "Peter Pan in Kensignton Gardens" (Hodder & Stoughton, London; 1906), Rackham turned his considerable talents to illustrating Lewis Carroll's fantasy, "Alice's Adventures in Wonderland" (William Heinemann, London; 1907) and Shakespeare's "A Midsummer-Night's Dream" (William Heinemann, London; 1908).
He then used try three suites of illustrations to accompany Germanic tales, the first one to be published being "Undine" (William Heinemann, London; 1909). In the following three years, his magnificent illustrations interpreting Wagner's Ring Cycle were published in "The Rhinegold along with the Valkyrie" (William Heinemann, London; 1910) and "Siegfried and also the Twilight of the Gods" (William Heinemann, London; 1911).
Between 1912 and the dawn of Ww 1, an extra three books were published with suites of illustrations from Rackham, including a 'second' First Edition of "Peter Pan in Kensington Gardens" (Hodder & Stoughton, London; 1912) or a published by using a new colour illustration when the frontispiece plus a plethora of additional monotone illustrations. Throughout same year, Aesop's Fables (William Heinemann, London; 1912) carrying colour and monotone artwork by Rackham was published as well as in the subsequent year, "Mother Goose: The original Nursery Rhymes" (William Heinemann, London; 1913) was published with artwork by Rackham to accompany a few classic rhymes chosen because of the illustrator.
While Rackham had begun work on a collection of illustrations interpreting Shakespeare's "The Tempest", the outbreak of hostilities in Ww 1 compelled his publishers to commission other operate in the short-term plus as an effect, that project was delayed. Instead, between 1914 and 1919, First Editions cashing in on Rackham's contributions included: "A Christmas Carol" (William Heinemann, London; 1915); "The Allies' Fairy Book" (William Heinemann; London, 1916); "The Romance of King Arthur with his fantastic Knights of the Round Table" (Macmillan and Co. Ltd, London; 1917); "English Fairy Tales" (Macmillan and Co. Ltd, London; 1918); and "The Springtide of Life" (William Heinemann, London, 1918).
The following decade proved to be no less intense for Rackham, along with suite of illustrations to traditional ballads of his homeland being published in 1919 as "Some British Ballads" (Constable & Co. Ltd, London, 1919). Soon thereafter, his Celtic-inspired suite to accompany the strategies of Stephens was published in "Irish Imagination" (Macmillan and Co. Ltd, London, 1920). His depictions of scenes from Milton's "Masque of Comus" was published in 1921 as "Comus" (William Heinemann, London; 1921) as well as the following year, his suite to accompany classic work by Hawthorne was published in "Hawthorne's Wonder Book" (Hodder & Stoughton, London; 1922). In 1926, his suite for "The Tempest" - a working that had been delayed for better part of a decade - was published in "The Tempest" (William Heinemann, London; 1926) and two years later, his work to accompany classic tale by Irving was published in "The Legend of Sleepy Hollow" (George G Harrap, London; 1928).
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Rackham continued Painter London to become productive throughout the entire final decade of his life and commissions published just before his death included: "In the previous night Christmas" (George G Harrap, London; 1931); "Poe's Tales of Mystery and Imagination" (George G Harrap, London; 1935); and "Peer Gynt" (George G Harrap, London; 1936). An added suite of illustrations was published posthumously as "The Wind in the Decorator London Willows" (Limited Editions Club, New York; 1940).
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