Arthur Rackham (1867-1939) made comprehensive contributions of suites - in each of monotone and colour - to more than 25 illustrated books throughout his career additionally lots more in other publications. His illustrations interpreted a diversity of themes, including: myths; legends; fables; and fairy tales. Works cashing in on Rackham's contributions included titles by: Barrie; Barham; Carroll; Shakespeare; the Brothers Grimm; de la Motte Fouqu?; Wagner; Aesop; Dickens; Malory; Swinburne; Stephens; Milton; Hawthorne; Irving; Moore; Andersen; Poe; and Ibsen.
Using the critical and commercial success that met his illustrative interpretation of "Peter Pan in Kensignton Gardens" (Hodder & Stoughton, London; 1906), Rackham turned his considerable talents to illustrating Lewis Carroll's fantasy, "Alice's Adventures in Wonderland" (William Heinemann, London; 1907) and Shakespeare's "A Midsummer-Night's Dream" (William Heinemann, London; 1908).
He then depended upon work only with three suites of illustrations to accompany Germanic tales, the first to be published being "Undine" (William Heinemann, London; 1909). Over the next couple of 24 months, his magnificent illustrations interpreting Wagner's Ring Cycle were published in "The Rhinegold as well as the Valkyrie" (William Heinemann, London; 1910) and "Siegfried and The Twilight of a typical Gods" (William Heinemann, London; 1911).
Between 1912 as well as the start of World War I, an added three books were published with suites of illustrations from Rackham, including a 'second' First Edition of "Peter Pan in Kensington Gardens" (Hodder & Stoughton, London; 1912) or perhaps a published that has a new colour illustration as the frontispiece and a plethora of additional monotone illustrations. Within the same year, Aesop's Fables (William Heinemann, London; 1912) carrying colour and monotone artwork by Rackham was published whereas in the these fundamental year, "Mother Goose: The Old Nursery Rhymes" (William Heinemann, London; 1913) was published with artwork by Rackham to accompany a selection of classic rhymes chosen by the illustrator.
While Rackham had begun try a group of illustrations interpreting Shakespeare's "The Tempest", the outbreak of hostilities in World War I compelled his publishers to commission other operations the short-term and as an impact, that project was delayed. Instead, between 1914 and 1919, First Editions enjoying Rackham's contributions included: "A Christmas Carol" (William Heinemann, London; 1915); "The Allies' Fairy Book" (William Heinemann; London, 1916); "The Romance of King Arthur with the exceptional Knights of a typical Round Table" (Macmillan and Co. Ltd, London; 1917); "English Stories" (Macmillan and Co. Ltd, London; 1918); and "The Springtide of Life" (William Heinemann, London, 1918).
The listed decade tested no less intense for Rackham, along with his suite of illustrations to traditional ballads of his homeland being published in 1919 as "Some British Ballads" (Constable & Co. Ltd, London, 1919). Soon thereafter, his Celtic-inspired suite to accompany the work of Stephens was published in "Irish Mythology" (Macmillan and Co. Ltd, London, 1920). His depictions of scenes from Milton's "Masque of Comus" was published in 1921 as "Comus" (William Heinemann, London; 1921) along with the following year, his suite to accompany classic work by Hawthorne was published in "Hawthorne's Wonder Book" (Hodder & Stoughton, London; 1922). In 1926, his suite for "The Tempest" - a work that had been delayed for the better part of the decade - was published in "The Tempest" (William Heinemann, London; 1926) and two before long, his proceed to accompany traditional tale by Irving was published in "The Legend of Sleepy Hollow" (George G Harrap, London; 1928).
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Rackham continued Painter London for being productive throughout the final decade of his life and commissions published prior to his death included: "The night prior to the big day Christmas" (George G Harrap, London; 1931); "Poe's Tales of Mystery and Imagination" (George G Harrap, London; 1935); and "Peer Gynt" (George G Harrap, London; 1936). An extra suite of illustrations was published posthumously as "The Wind within the Decorator London Willows" (Limited Editions Club, New York; 1940).
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